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12 hours ago Sylvère Lotringer, Kraus's husband from the late eighties to the late nineties, founded Semiotexte's Foreign Agents series, which mostly published French critical theorists, in 1980. Ten years later Kraus founded the press's Native Agents imprint to publish fiction, mostly by women, as an analogue to the French theories of subjectivity in the Foreign Agents series. [19] Chris Kraus, född 1955 i New York, är en amerikansk författare och filmskapare. Hennes romaner innefattar I Love Dick, Aliens & Anorexia, Torpor och Summer of Hate. 2004 års Video Green, hennes första facklitterära produktion, utforskar det sena 1990-talets Los Angeles och bakgrunden till stadens nya roll på den internationella konstscenen. Bland Kraus filmer märks Gravity & Grace, How To Shoot A Crime och The Golden Bowl, or, Repression.

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Sylvère was Sylvère Lotringer, then Kraus’s husband and publisher. Chris Kraus: Right! Play was a way to not continue those rules in the rest of life. Guernica: And a way of being really present to your partner. Chris Kraus: Definitely. That’s a huge part of it.

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Its characters include Simone Weil, the first radical philosopher of sadness; the artist Paul Thek; Kraus herself; and “Africa,” Kraus's virtual S&M partner, who is shooting a big-budget Hollywood film in Namibia while Kraus holes up in the Northwest woods to chronicle the failure of Gravity & Grace, her own low-budget independent film. The novel begins with “Chris Kraus” falling suddenly and electrically in love with “Dick [Hebdige],” an English cultural critic and friend of her husband “Sylvère Lotringer.” Like Kraus and Lotringer, “Chris” and “Sylvère” met on the New York art scene of the 1980s, where he was an established figure and she an aspiring director.

Chris kraus husband

I Love Dick - Chris Kraus - nidottu9781584350347 Adlibris

Chris kraus husband

This relation gave her a beautiful son named Sam. The novel begins with “Chris Kraus” falling suddenly and electrically in love with “Dick [Hebdige],” an English cultural critic and friend of her husband “Sylvère Lotringer.” Like Kraus and Lotringer, “Chris” and “Sylvère” met on the New York art scene of the 1980s, where he was an established figure and she an aspiring director.

In the novel, a frustrated filmmaker named Chris Kraus meets and becomes obsessed with Dick, one of her husband’s colleagues. Her one-sided correspondence with him forms the basis for the book. Chris Kraus is the author, most recently, of After Kathy Acker: A Literary Biography (2017) and Social Practices (2018), a story and an essay collection. Her long essay on the work of photographer Reynaldo Rivera is forthcoming in a book on the artist’s work from Semiotext(e) in Spring 2020. The novel begins with “Chris Kraus” falling suddenly and electrically in love with “Dick [Hebdige],” an English cultural critic and friend of her husband “Sylvère Lotringer.” Like Kraus and Lotringer, “Chris” and “Sylvère” met on the New York art scene of the 1980s, where he was an established figure and she an aspiring director. When Chris Kraus, an unsuccessful artist pushing 40, spends an evening with a rogue academic named Dick, she falls madly and inexplicably in love, enlisting her husband in her haunted pursuit.
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Chris kraus husband

Chris Kraus. In the northern hemisphere summer or spring of 2014, Catt Dunlop, a middle-aged writer, was invited to speak at a conference on art in Wellington, New Zealand. Since Catt had lived in that city between the ages of 14 and 21, attended its university, and made yearly trips back to visit her parents before they returned Other films also feature wounded protagonists resigned to disgrace: In “Foolproof Illusion,” Kraus builds a snowman in lingerie while bemoaning a violent husband and reading the work of Antonin Artaud, the French playwright known for developing the Theatre of Cruelty.

Elin Grelsson Almestad blir fundersam över romanen om en konstkritiker som blir ihop med en obildad före detta fängelsekund.
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